Recently completed projects at BlueSpark:
“Poisoned water"/ PBS link to stream film:
Llew recently directed "Poisoned Water” , a one hour documentary about the water crisis in Flint, Michigan, for PBS NOVA. Poisoned Water has won the 2017 AAAS Kavli Science Journalism Award Silver Award. From the announcement: "NOVA investigated the science behind the disastrous results that occurred when officials in Flint, Michigan decided to change the city’s water source to save money but ─ by overlooking a crucial corrosion control process ─ allowed lead from old lead water pipes to leach into the city’s drinking water...'Poisoned Water’ takes a thorough look behind the headlines to give viewers insight both into the environmental and human costs of the Flint water crisis as well as how public officials actively hid the danger thereby eroding the public trust. Guy Gugliotta, a freelance science writer, called the program 'a tremendous public service, quite riveting and dripping with outrage.' Llewellyn Smith previously won the award in 2007 in the television category.” [https://sjawards.aaas.org/
Slavery in effect: What is the lifetime of mass incarceration?
People often talk about mass incarceration as if it’s just a continuation of American slavery. Historians know that’s not exactly right. Slavery was a legal system that allowed people and their descendants to be owned as chattel property forever.
That all ended with the Civil War and the 13th Amendment. But if that’s not obvious to everyone, what are they seeing that historians don’t see? What insights do we gain by viewing mass incarceration as the afterlife of slavery?
This 8 minute film was completed for Harvard University History Design Studio
At a time when police shootings, mass incarceration and the Black Lives Matter movement have rekindled a national dialogue on race-prejudice American Denial explores how unconscious biases shapes our understanding of race and class. Using Gunnar Myrdal’s 1944 investigation of Jim Crow racism as a springboard, the film examines how unrecognized, unconscious attitudes continue to dominate racial dynamics and shape American institutions and culture in powerful ways. The film was directed by Llewellyn Smith and produced by Vital Pictures, Boston.
American Denial PBS
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An Unexpected History - The Story of Hennessy and African Americans
BlueSpark created a documentary about the Moet Hennessy company and the history of their connection with the African American community going back 100 years, as part of the celebration of the brand's 250th anniversary in 2015.
The film centers on the lives of several remarkable individuals whose efforts have both inspired and reflected the company's striving for excellence. Executives at Hennessy supported W.E.B. DuBois to found the NAACP, worked to defend the Scotsboro Boys, and were among the first national advertisers to purchase ad copy in Jet and Ebony magazines. Interviews, archival footage, period dramatizations and an original jazz score by Christian Scott aTunde Adjuah (https://christianscott.
Wounded Places: Confronting Childhood PTSD in America's Shell-Shocked Cities
Our film looks at the experiences of families and young people of color who live in conditions of trauma and toxic stress in Philadelphia and Oakland, two of the nation's most violent cities.
We look both at how social and economic forces produce, isolate and exclude some families and communities, and how a trauma-informed approach to public health and safety represents a profound shift in paradigm that seeks to heal injury rather than blame or punish, asking "what happened to you?" instead of "what did you do?" This project was commissioned by California Newsreel as a part of a major initiative that includes a PBS broadcast,
The Raising of America—Early Childhood and the Future of Our Nation. http://raisingofamerica.org/?q=wounded-places
What they are saying about Wounded Places:
Llew was one of four producers who worked on The Talk, a 2-hour PBS special from WNET/Thirteen in New York that was broadcast nationally in Jan 2017.
The documentary project was inspired by stories of instruction that many African American families give their children on what to do when stopped by police, and by videos of police shootings that have sparked an intense national dialogue on racial discrimination in law enforcement and police use of deadly force.
Llew’s segment examined what policing looks like from the point of view of instructors and and recruits at South Carolina Criminal Justice Academy (SCCJA).
Slow Drag in the Big Uneasy (w.t.)
'The most incarcerated city in the most incarcerated state in the most incarcerated country in the world.’
That's how New Orleans mayor Mitch Landrieu described New Orleans. This city so universally loved and celebrated for its extraordinary history and culture is also infamous for high incarceration of black men; poor policing, draconian sentencing; inhumane jails, a seriously underfunded public defenders office and a sometimes unholy alliance of bail bondsmen, sheriffs and judges. Important work is happening to transform the system. Leading the effort are formerly incarcerated men and women, lawyers, activists, artists and many others.
With a grant from the Ford Foundation, our film Slow Drag in the Big Uneasy follows the stories of men and women as they commit their lives to making The Crescent City more just for its most disadvantaged and vulnerable citizens. As characters share their stories with us, their lives become a window into how social injustice and criminal injustice policies fuel each other and create a ‘war on the poor.' And we’ll see what can happen when dedicated people work together for reform and transformation. Our film will reference stories and events in other jurisdictions, to remind viewers that the failure of justice for ordinary citizens is an American problem, not just a New Orleans problem.
Bound by Blood (w.t.)
Bound By Blood looks at a massacre of African American sharecroppers in Elaine, Arkansas who were secretly trying to create a farmers’ union in 1919. Over a matter of days local white posses joined with the U.S. Army to murder as many as two hundred black man and women. Surviving families were run out of town.
Our story examines the contemporary social, economic, and psychological consequences of these events for white and black families whose ancestors were connected to the 1919 massacre through history to the present time— and how this history continues to reverberate in unexpected ways throughout the lives families generations later.
The narrative explores how trauma of the past may be shaping the present, taking hold of choices, behavior, identity and meaning. History becomes not simply a recollected legacy but a living intergenerational force. We received an initial leadership grant from the LEF foundation to begin filming and development funding from ITVS diversity fund. Iin May 2016 we received an additional grant from LEF to continue production in the fall, and in October 2017 we also received a production grant from the National Black Programming Consortium