Recently completed projects at BlueSpark:  


 

bluespark-collaborative-Poisoned-waterCUBA’S CANCER HOPE (NOVA)

How did Cuba become a world leader in cutting-edge cancer technologies despite a 55-year U.S. embargo?

And how did ‘science diplomacy’ make a historic collaboration between Centro de Inmunología Molecular (Center of Molecular Immunology) in Havana, and Roswell Park Comprehensive Cancer Center in Buffalo, NY possible?

The film reveals how Fidel Castro’s lifelong commitment to cancer-fighting drugs and disease prevention led to the creation of Cuba’s advanced medical infrastructure. We meet the Cuban scientist responsible for new lung cancer treatments like CIMAvax-EFG and other pharmaceutical advances. And we follow a US citizen with Stage 3 lung cancer, who challenges the Cuban embargo to receive treatment in Havana that has been keeping him alive.  Written and directed by Llew Smith.

 

 


 

bluespark-collaborative-Poisoned-waterPoisoned Water

Llew recently directed "Poisoned Water” (produced by Kelly Thomson), a one hour documentary about the water crisis in Flint, Michigan, for PBS NOVA. Poisoned Water has won the 2017 AAAS Kavli Science Journalism Award  Silver Award. From the announcement: "NOVA investigated the science behind the disastrous results that occurred when officials in Flint, Michigan decided to change the city’s water source to save money but ─ by overlooking a crucial corrosion control process ─ allowed lead from old lead water pipes to leach into the city’s drinking water...'Poisoned Water’ takes a thorough look behind the headlines to give viewers insight both into the environmental and human costs of the Flint water crisis as well as how public officials actively hid the danger thereby eroding the public trust. Guy Gugliotta, a freelance science writer, called the program 'a tremendous public service, quite riveting and dripping with outrage.' Llewellyn Smith previously won the award in 2007 in the television category.” [https://sjawards.aaas.org/2017winners]  Poisoned Water has been nominated for an Emmy in the science documentary category.

 

 


 

Slavery in effect: What is the lifetime of mass incarceration?

bluespark-collaborative-slavery-in-effectPeople often talk about mass incarceration as if it’s just a continuation of American slavery. Historians know that’s not exactly right. Slavery was a legal system that allowed people and their descendants to be owned as chattel property forever.

That all ended with the Civil War and the 13th Amendment. But if that’s not obvious to everyone, what are they seeing that historians don’t see? What insights do we gain by viewing mass incarceration as the afterlife of slavery?

This 8 minute film was completed for Harvard University History Design Studio

 https://www.youtube.com/watch?v=s7uzPRlxgZw

 

 


 

American Denial

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At a time when police shootings, mass incarceration and the Black Lives Matter movement have rekindled a national dialogue on race-prejudice American Denial explores how unconscious biases shapes our understanding of race and class. Using Gunnar Myrdal’s 1944 investigation of Jim Crow racism as a springboard, the film examines how unrecognized, unconscious attitudes continue to dominate racial dynamics and shape American institutions and culture in powerful ways. The film was directed by Llewellyn Smith and produced by Vital Pictures, Boston.  

American Denial PBS

PURCHASE THE FILM

http://www.americandenial.com/purchase/

 


 

 An Unexpected History - The Story of Hennessy and African Americans 

 

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BlueSpark created a documentary about the Moet Hennessy company and the history of their connection with the African American community going back 100 years, as part of the celebration of the brand's 250th anniversary in 2015.

The film centers on the lives of several remarkable individuals whose efforts have both inspired and reflected the company's striving for excellence. Executives at Hennessy supported W.E.B. DuBois to found the NAACP, worked to defend the Scotsboro Boys, and were among the first national advertisers to purchase ad copy in Jet and Ebony magazines. Interviews, archival footage, period dramatizations and an original jazz score by Christian Scott aTunde Adjuah (https://christianscott.bandcamp.com/album/stretch-music) bring these stories to life.    


https://vimeo.com/130968729 


Password: cognac

 


 

Wounded Places: Confronting Childhood PTSD in America's Shell-Shocked Cities

bluespark-collaborative-Wounded-PlacesOur film looks at the experiences of families and young people of color who live in conditions of trauma and toxic stress in Philadelphia and Oakland, two of the nation's most violent cities.

We look both at how social and economic forces produce, isolate and exclude some families and communities, and how a trauma-informed approach to public health and safety represents a profound shift in paradigm that seeks to heal injury rather than blame or punish, asking "what happened to you?" instead of "what did you do?"  This project was commissioned by California Newsreel as a part of a major initiative that includes a PBS broadcast, 

The Raising of America—Early Childhood and the Future of Our Nation. http://raisingofamerica.org/?q=wounded-places

 

What they are saying about Wounded Places:

Thank you, Wounded Places, for uncovering the back story of the violence and trauma in our cities and the cumulative impact it has on our youth, their families, and communities. Now that we’ve seen it, we must mobilize and engage policymakers, community members, funders, and others to take immediate action. Our children deserve nothing less from us!Angela Glover Blackwell, Founder & CEO, PolicyLink
Wounded Places is a wake-up call. We talk a great deal about the violence in our cities, but not about the aftermath. Wounded Places does. Powerfully and thoughtfully. The film poses the question we must all ask: What happens to a generation of children who come to view the world as hostile and threatening?Alex Kotlowitz, author, “There Are No Children Here”
Will we let Wounded Places start the conversations we so desperately need? All children react to the world through their experiences. They have the capacities for trust, friendship, learning and love. Or they can become suspicious, fearful and overly aggressive. Wounded Places shows us that children can flourish and our nation becomes healthier, safer and better educated when we care for and invest in impoverished communities rather than neglect them.Benjamin Jealous, Partner, Kapor Capital & former president, NAACP
No one who sees Wounded Places will remain unmoved by the plight of children growing up in our nation’s high-poverty communities. These kids face - as one of the many experts interviewed in the film states - an "unrelenting adversity" that no child should have to face. With this film, California Newsreel again challenges us - when will we live up to our nation’s creed that all children should have an equal opportunity to thrive?Brian Smedley, Director, National Collaborative for Health Equity
Wounded Places is a riveting documentary on the severe psychological trauma children suffer living in violent communities. It’s an urgent plea to protect our children and help them heal from endemic victimization.Alvin F. Poussaint, MD, Professor of Psychiatry, Harvard Medical School 

  

The Talk

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Llew was one of four producers who worked on The Talk,  a 2-hour PBS special from WNET/Thirteen in New York that was broadcast  nationally in Jan 2017.  

The documentary project was inspired by stories of instruction that many African American families give their children on what to do when stopped by police,  and by videos of police shootings that have sparked an intense national dialogue on racial discrimination in law enforcement and police use of deadly force.

Llew’s segment examined what policing looks like from the point of view of instructors and and recruits at South Carolina Criminal Justice Academy (SCCJA).

 


 

In development:

Slow Drag in the Big Uneasy (w.t.)

bluespark-collaborative-searching-for-social-justice-new-orleans'The most incarcerated city in the most incarcerated state in the most incarcerated country in the world.’ 

That's how former New Orleans mayor Mitch Landrieu described New Orleans. This city so universally loved and celebrated for its extraordinary history and culture is also infamous for high incarceration of black men; poor policing, draconian sentencing; inhumane jails, a seriously underfunded public defenders office and a sometimes unholy alliance of bail bondsmen, sheriffs and judges. Important work is happening to transform the system. Leading the effort are formerly incarcerated men and women,  lawyers, activists, artists and many others.  

With a grant from the Ford Foundation, our film Slow Drag in the Big Uneasy follows the stories of men and women as they commit their lives to making The Crescent City more just for its most disadvantaged and vulnerable citizens. As characters share their stories with us, their lives become a window into how social injustice and criminal injustice policies fuel each other and create a ‘war on the poor.' And we’ll see what can happen when dedicated people work together for reform and transformation. Our film will reference stories and events in other jurisdictions, to remind viewers that the failure of justice for ordinary citizens is an American problem, not just a New Orleans problem. 

 


BOUND BY BLOOD – ECHOES OF THE ELAINE MASSACRE

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History is not past, written in books – it’s under our skin and we carry it forward. In BOUND BY BLOOD, we follow one family and one community 100 years after the Elaine Race Massacre as they explore how to reckon with the past when economic, social and psychological reverberations still linger.

1919 was an explosive time in our history. It was the time of the Red Summer and fear of communism; when African American veterans returned from World War I to face Jim Crow racism. Black sharecroppers in Elaine Arkansas, tired of being cheated out of their profits, decided to unionize. White landowners saw it as an insurrection, and called in white posses from neighboring states to put these sharecroppers in their place. Joined by U.S. Army troops over several days, they killed as many as two hundred black men and women.

Voices of descendants—both victims and perpetrators—and local residents of Phillip County are the film’s storytellers. As their interpretations of the history clash, they also mirror conflicting ways of understanding our obligation to the past and the possibility of reconciliation.

With funding from ITVS, Black Public Media, and the LEF Moving Image Foundation, our team has completed several rounds of filming in Arkansas, Boston and New York City. Currently we are focusing on story development while seeking further funds to finish the film.

 


 

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